I wrote this for a project I had joined in 2019. Then, everything sort of went south in my life, the panorama (pandemic) included, so I made the decision to leave the project. I don't believe it went too far itself, but I still have this script and wanted to post it. It was written to be a podcast story with sound effects and everything, so you will see that. All thanks to the now defunct UARTS in Philadelphia for teaching me how to write a script. I present to you "The Hunter."
The Hunter
Characters: Jenessa Malik Danny Shayla Old Man
Mr. Everton Finnery Sarah James
1
EXT.
Sound of a car driving up a gravel driveway. The car stops and shuts off. The
doors open. In the background: cicadas, birds, and crickets as suitcases hit
the ground and the car doors close.
JENESSA
See, guys? It’s not that bad. Look at that view.
MALIK
Yeah, I’m sure the view looked like that in Cabin in the Woods,
too.
DANNY
Come on, man. It’ll be fun. Promise.
MALIK
Where did you find this place?
DANNY
I told you. It’s been in my family since the 1890s.
SHAYLA
How’d they manage that in Antebellum Cah-ra-lanna?
MALIK
And why does it look like the slave quarters?
DANNY
It’s a replica of the slave cabins from back then. The plantation owner left the area to his slaves when he died. One of the slave couples happened to be my great-great-great-great grandparents.
JENESSA
See? That’s cool, right?
SHAYLA
Yeah, I guess that’s pretty dope. Well, let’s go in.
Footsteps
on gravel, then on wooden steps. Keys jingle, go into a lock, click, and the
door creaks open. Footsteps and rolling suitcases on hardwood before they come
to a stop. Now INT.
MALIK
So, they recreated the furniture, too?
DANNY
Man, listen. They wanted to keep it historical, so the living
room and bedrooms look like this, but they added a modern kitchen and bathroom.
SHAYLA
Good, because I am not
using anybody’s outhouse.
JENESSA
(laughs) Facts. Let’s go look at the rooms!
Two
sets of footsteps and suitcases fade off into the distance.
DANNY
(whispering) Aight. Quick. You got it?
MALIK
Yeah, right here.
Sound
of a ring box opening.
DANNY
Thanks, man.
MALIK
So, you’re really gonna propose to her up here?
DANNY
Yeah, I have it all planned out. We’re gonna do the hike, right?
And when we get to the top of the mountain--
MALIK
And how high is this mountain again?
DANNY
Don’t worry about it. I promise, you’re not gonna die climbing
up there. So anyway, we get to the top, Jen will look up at the view, ’cause
you know she loves it.
MALIK
Right.
DANNY
Yeah, and when she turns around, I’ll be behind her kneeling.
MALIK
Wow. I know I said it already, but I’m proud of you, bruh.
DANNY
Thanks, man. Shh, they’re coming back.
Sound
of a ring box snapping shut and clothes rustling as the two sets of footsteps
come back.
JENESSA
Okay, so the rooms are a little like the ones in The Haunting,
but we can work with them.
SHAYLA
As long as we sleep with the lights on. And splash holy water at
the doors.
JENESSA
Maybe a little lamb’s blood on the sills.
SHAYLA
And salt. They always pour table salt at the door or in circles
to keep the ghosts away.
JENESSA
Yeah, I never understood that.
DANNY
All right, all right, ladies. We’ll be fine. Don’t worry about
it. I’m gonna go put my bag down. Y’all wanna go look around in a minute?
MALIK
Yeah, I wanna go see the old cabins. See how close Massa let the
slaves live to each other.
DANNY
Actually, I don’t think any are still standing.
JENESSA
None? Why not?
DANNY
Uh, well . . . There were some riots.
SHAYLA
Hold. There were what?
DANNY
Yeah, so the master did leave the land to his slaves, but
apparently that didn’t sit right with the townsfolk.
MALIK
You think?
DANNY
Yeah, man, I know. So they came and burned down all the cabins.
Silence.
JENESSA
Okay, that is hella dark.
DANNY
Yeah. We can go read about it if you want. There’s a shop just
up the road with a book of facts.
JENESSA
That sounds fun.
SHAYLA
Does it?
MALIK
That’s all right. We’ll let the nerds do their thing, and we can
check out the hot springs they were wilin’ about in the car.
SHAYLA
Yeeees, that sounds like a plan.
Shayla
and Malik giggle together.
DANNY
All right, lovebirds. Come on, man.
Second
set of footsteps and suitcases on the floor fade out into the background. Then,
the two footsteps return.
DANNY
Ready, ladies?
JENESSA & SHAYLA
Yeah.
Footsteps
walk back onto the wooden porch. EXT. The door closes. Keys jingle. Then, the
footsteps walk down the stairs onto the gravel. The sound of birds, cicadas,
and breeze return.
SHAYLA
So, Danny, do your parents ever come up
here?
DANNY
Nah. Once they left North Carolina, they never looked back. The town they’re from might be smaller than this whole area.
JENESSA
I can’t imagine living out here. No
malls, hot spots. Just . . .
SHAYLA
Cows?
MALIK
Man, I ain’t never seen so many cows as
I did on the way here.
JENESSA
A totally different experience from the
DMV, huh?
SHAYLA
Don’t let him fool you. His family is
from Lebanon, Delaware. He knows exactly what a cow looks like.
MALIK
I said I haven’t seen as many. There is a difference.
SHAYLA
Just one street turn away from the same
amount.
MALIK
Woman, let me be great.
DANNY
Here’s the trail.
Sound
of footsteps on dirt path. Twigs snapping and leaves rustling every few steps.
SHAYLA
It is pretty peaceful out here.
JENESSA
I told you you’d like it.
SHAYLA
I didn’t say all that yet. Give me time.
JENESSA
(laughs) One dip in the hot spring with some piña coladas, and
you’ll want to stay.
SHAYLA
Hmm, now that does sound good.
MALIK
Make mine a beer, thanks.
JENESSA
We get it, Malik. You’re a manly man. Make sure you go hunting
for our dinner later, too.
MALIK
Yeah, yeah, just give me a shotgun, and say less.
Fast
footsteps rise from the distance as they’re talking.
OLD MAN
Hey!
The
four scream.
OLD MAN
Whatchu kids doing out here?
MALIK
What the hell? Where did you come from?
DANNY
Leek, chill, man, I got it. Good afternoon, sir. We’re visiting
the cabin at the bottom of the trail. It belongs to my family.
OLD MAN
Oh, you own the cabin, huh? Well, watch your necks.
SHAYLA
Excuse me?
MALIK
Babe, calm down. They talk weird down here. You know that.
DANNY
Uh, thank you, sir?
OLD MAN
Yeah.
The
four continue talking while the footsteps on the grass fade away into the
background.
DANNY
The original cabin was right over there, if you wanna go see the
foundation.
MALIK
They left the foundations out here?
DANNY
People were scared to touch them.
MALIK
You know how to bury the lead, bruh. Is this place cursed?
DANNY
No, it’s not cursed. The people are country. They’re just
superstitious. There it is.
Footsteps
on gravel stop. Eerie music low in the background.
JENESSA
Wow.
SHAYLA
So . . . that don’t look cursed to you?
DANNY
Anything can look cursed. The abandoned warehouses on North
Street look cursed.
MALIK
Yeah, well, North Street needs to be cursed.
One
set of footsteps on grass and snapping twigs.
SHAYLA
Jen, what’re you doing?
JENESSA
Getting a closer look.
SHAYLA
Girl. You are asking for us to get haunted.
JENESSA
What? I’m not gonna touch anything.
MALIK
See? Cabin in the Woods. This is how it started.
DANNY
It started with subpar acting and a weird plot.
MALIK
That movie is bomb. I don’t care what you say.
JENESSA
I think . . . I see an old shoe?
SHAYLA
Ah-ah. Get back here. We’re not doing shit like this today.
Footsteps
on grass return to gravel.
JENESSA
You’re impossible.
MALIK
Yeah, you didn’t have to get all close like that. You never know what could
jump out. Hopefully not another creepy old black man.
DANNY
The foundations are all around the area like this. The Caution
signs probably got overgrown by the grass. No one really comes out
here like that, though, so they don’t keep it up.
MALIK
Well, let’s get back. I think that deer over there is giving us
the stink eye.
JENESSA
Right. I don’t want to disturb a momma deer if there are babies
around.
MALIK
But you’re willing to get all up on a creepy-ass foundation--
JENESSA
Not the same thing, Leek. Chill.
MALIK
I’m saying. At least we can eat the deer. Can’t cook a ghost.
Footsteps
return on gravel and fade into the distance.
2
INT.
Distant footsteps muffled by walls.
JENESSA
(whispering) Babe. Babe.
DANNY
(groggy) Hmm?
JENESSA
Do you hear that?
Footsteps
continue.
DANNY
Hear what?
JENESSA
Someone’s outside.
DANNY
It’s probably just the wind, Babe--
JENESSA
Wind walks now?
Footsteps
stop. Everything is quiet. DANNY starts to snore. Then, a whip cracks against
the window.
DANNY
(alert) What the hell?
JENESSA
Danny?!
The
whip cracks against the window again.
JENESSA
What is that?
DANNY
(yelling) Who’s there?
The
whip cracks against the window and cracks the glass.
DANNY
Run, babe. Go!
The
bed creaks, then two footsteps race over wood. Glass shatters. JENESSA screams.
Door creaks open.
MALIK
The hell’s going on?
JENESSA
(scared) Someone’s
breaking in.
SHAYLA
What?!
MALIK
Lemme get my gun.
Footsteps
fade.
DANNY
Hurry!
Heavy
boots in the distance.
JENESSA
(almost crying) Oh my God, they’re inside.
MALIK’s
footsteps return. Gun cocks.
MALIK
Yeah, I got something for you. Come on. I dare you.
Heavy
boots enter the hallway. Gun fires. The boots move closer.
SHAYLA
Malik, shoot him!
MALIK
I did!
Gun
fires again. Boots come closer. Gun fires again.
MALIK
(rushing) Forget this. They’re going straight though him. Run!
Group
of footsteps run through the house with boots following.
DANNY
Get the keys!
JENESSA
They’re in the kitchen!
DANNY
Dammit!
Front
door opens. The whip cracks. DANNY hollers.
JENESSA
Danny!
DANNY
Just nicked me. Go, go! We gotta get outta here!
EXT.
Bare feet run down the wooden steps and swish the leaves. Eerie music, sound of
a horse snorting and hooves on gravel.
JENESSA
Who is that?
MALIK
Oh, sh--
DANNY
There’s a back way to the gift shop. Come on!
One
set of footsteps run through the leaves.
MALIK
Through the woods?
DANNY
Trust me! Come on!
Boots
walk onto the porch wood. Three more sets of footsteps run through the leaves.
The hooves clop on the gravel at a fast pace. Footsteps continue with hooves
pounding the ground behind them. Woodland creature sounds mixed with the four’s
heavy breathing.
JENESSA
They’re gonna catch us!
DANNY
This way! The trees are thicker here!
Rustling
of leaves and branches. The hooves fade.
DANNY
There’s a stream close by. It leads to the gift shop.
Splashing
and running through water.
DANNY
(low) Get down, get down.
Rustle
of leaves. The hooves stop. Breathing of the four hiding. Sound of something
thrown in the distance. The hooves start again and fade out.
DANNY
I think they’re gone for now.
JENESSA
What the hell’s going on?
DANNY
I don’t know. We need to get to the car.
Footsteps
in the distance.
JENESSA
(whispering) Someone’s coming!
DANNY
Be real still.
Voices
whispering. Footsteps continue, get louder, stop.
JAMES
(whispering) Hey!
The
four scream.
JAMES
(whispering) Sh! Quiet. He’ll hear you. Come with me. Hurry.
Rustles
of leaves, footsteps.
SHAYLA
Where are you taking us?
JAMES
Just up the way. They can’t touch y’all there.
MALIK
“They?”
JAMES
Finnery’s out here, too. Big man, carry a whip?
JENESSA
We saw him.
DANNY
Who are they?
JAMES
I’ll explain when we’re safe.
MALIK
Good enough for me. Let’s go.
Bird
call in the distance.
JAMES
That way.
Footsteps.
Eerie music low in the background.
JENESSA
Isn’t this one of the original cabins?
MALIK
Oh, hell no.
JAMES
Trust me. Ain’t no one gone find you here.
SARAH (whispering)
Did you find them?
JAMES
Yes, here they are.
SARAH
Thank the Lord.
SHAYLA
Who are you people?
MALIK
And what just happened?
JAMES
I’m James. This my wife, Sarah.
SARAH
How do you do?
MALIK
Well, a ghost or two might be trying to kill us.
DANNY
Wait. James? Sarah? Everett?
JAMES
The same.
MALIK
Dan, how do you know their names?
DANNY
They’re . . . my ancestors?
SHAYLA
This is crazy.
SARAH
We’re sorry about Master Everton. It’s not really you he’s
after.
JENESSA
What do you mean?
JAMES
He’s looking for us, for what we done to him before we took the
land.
Eerie
music intensifies.
DANNY
I don’t get it. My grandparents said he gave y’all this land.
SARAH
Well, that was a kind lie of them.
JAMES
Master Everton wouldn’t’ve gave none the likes of us this land.
He’d have died first.
DANNY
So . . . what happened?
SARAH
(beat) He died first.
Eerie
music continues.
JAMES
Master Everton was . . . visiting the cabins in the middle of
the night, having his way with the girls.
SARAH
And killing anyone who tried to fight him.
JAMES
Until my Sarah got the best of him.
JENESSA
You killed him?
SARAH
I had to. Couldn’t go on like that, scared to hear that door
open every night.
SHAYLA
This is one really vivid nightmare, right? None of you are real?
MALIK
No, babe, we’re all awake and talking to two ghost slaves.
SHAYLA
Damn.
JAMES
After we killed him, we lied to the overseers and told them he
was sick in bed. It worked for a week, maybe.
SARAH
That old nasty Finnery caught wise and set the town on us. They
killed everyone, set the dogs on the ones who ran, and locked them all up in
the cabins. Then, they burned them to the ground.
JENESSA
Oh. Oh wow.
DANNY
So, why are you all still here?
MALIK
And why aren’t they burning in Hell somewhere?
JAMES
We need to be put to rest.
SARAH
And they need to be . . . sent.
DANNY
How do we do that?
JAMES
That cabin you visit used to be where that devil plantation sat.
Underneath the floorboards lay Master Everton’s bones.
Silence
as the music continues.
MALIK
Aight, but what about the whip cracker?
JAMES
Finnery. Must’ve died out here, too. Surely he done pissed off a
slave or two in his time and got what was coming to him.
SHAYLA
So if we can’t find his bones anywhere, then what?
SARAH
Not to scare y’all further, but we’ll cross that bridge when we
come to it.
SHAYLA
(beat) Well, at least you’re honest.
DANNY
So, how do we put everyone, uh, where they’re supposed to be?
JAMES
Down in the maintenance shed behind the gift shop, you should
find all you need. There’s an old tree points to where we buried Master
Everton. Petrified, scary looking thing. Dig him out, and burn his bones.
SARAH
Then, we should be free to leave.
JENESSA
How can we get to the shop with those men out there?
SARAH
Don’t you worry, none. The others will protect you.
JENESSA
The . . . others?
Ethereal
humming noise.
DANNY
Babe. Look.
Humming
noise intensifies.
JENESSA
Oh my God.
SARAH
Our brothers and sisters who lost their lives for what I done.
JAMES
For what we done, my
dear. We’re in this together.
SARAH
They gone get you to that gift shop and back to the cabin.
SHAYLA
OK,
so we’re doing this. We’re following ghosts through the woods.
JENESSA
(uncertain) We’ll make it. We can do this.
SARAH
We have faith in you.
Ethereal
humming noise disappears.
JENESSA
They’re gone.
DANNY
They might be buying us time. (deep breath) All right. Let’s get
back to the stream.
Suspenseful music starts low. Footsteps
of the four on the grass again.
DANNY cont’d
(whispering) It’s not that far from here.
Horse whinnies in the distance.
SHAYLA
(whispering, scared) It’s him!
MALIK
(whispering) He’s not close, babe. It’s okay. Come on.
Footsteps continue. Snap of branches
under their feet. Hushed gasps and pauses before the footsteps continue.
Trickling water.
JENESSA
(whispering) There it is!
Footsteps speed up.
DANNY
(low) Okay, the gift shop is this way.
Horse hooves trample the ground. JENESSA
and SHAYLA scream.
DANNY
Go! Go!
The four’s footsteps speed up again. The
horse hooves speed up, too. Tree leaves rustle. Branches snap underfoot. The
horse whinnies.
JENESSA
He can’t get through.
DANNY
Good, almost there.
The four’s footsteps trample wood over
the stream, over grass, then come to an abrupt stop.
JENESSA
How are we getting in?
MALIK
Any way we can.
MALIK grunts. A foot kicks against a
door. A lock jingles.
SHAYLA
(whispering) Babe, be careful!
DANNY
Let me help.
Two feet kick against a thick wooden
door. The lock on it jingles against it. The feet kick again. The door breaks
open. The four’s footsteps rush onto concrete. Metal clamors around.
SHAYLA
I found a gas can.
JENESSA
I found shovels.
Clanking of shovel blades. Metal and
wooden drawers open and shut. A hand smacks wood.
MALIK
Matches.
DANNY
Great. Let’s get back to the cabin.
Footsteps in the distance.
JENESSA
(whispering) Wait!
SHAYLA
Malik, don’t!
The door creaks. The footsteps are
closer.
MALIK
It’s Finnery. Run. Run!
The four’s footsteps run from the
concrete back onto the grass. The crack of a whip echoes on the air. The four
scream. Footsteps on the wood over the stream, one by one onto the grass. The
whip cracks again. JENESSA screams and chokes. Sound of her falling onto the
wood.
JENESSA
(screaming) Danny!
DANNY
Jenessa!
Footsteps double back to the wood.
DANNY
Grab my hand!
JENESSA
(strained) He’s choking me!
Rushed footsteps. Bodies hit the wood.
JENESSA
(freed) Danny!
DANNY
Run! I’m right behind you!
Footsteps run over the wood.
SHAYLA
Are you all right?
JENESSA
Yeah . . .
More footsteps over wood. The whip
cracks. DANNY cries out. Body falls. Slow footsteps move across the wood.
MALIK
Dan, grab my hand! (to JENESSA and SHAYLA) Run!
SHAYLA
No!
JENESSA
Not without you guys!
Ethereal hum returns. Footsteps run
through the stream. A great splash.
SHAYLA
It’s the ghosts!
A shuffle on the wood and footsteps
running.
DANNY
Go, go!
The four’s footsteps run through the
woods. The horse whinnies in the distance. Hooves trample the ground.
DANNY
Keep going!
The four’s footsteps continue. The
hooves grow louder. An ethereal hum, followed by the horse’s frightened neigh.
JENESSA
They’re buying us time.
DANNY
Looks like it. Come on.
The four’s footsteps continue through
the woods, panting. The woodland sounds fade back to open air sounds.
SHAYLA
Thank God. The cabin.
MALIK
All right. Where’s this tree?
The four’s footsteps hit gravel, then
grass. Eerie music plays as the footsteps stop.
MALIK
Jesus.
JENESSA
Yeah, that’s a crazy looking tree.
DANNY
It’s right outside our room.
JENESSA
Naturally.
Horse whinnie in the far distance.
DANNY
We gotta hurry.
The four’s footsteps run back through
the grass, onto the gravel, then onto wood. Outside sounds disappear as they
walk through the cabin. INT.
DANNY
Aight, there’s the tree, so the spot should be . . . there.
Leek, give me a hand.
A bed screeches across wood. Light clank
of shovels.
DANNY
I guess we break through first.
JENESSA
What about the foundation?
DANNY
It’s a strip foundation, so the concrete is only under the
walls.
MALIK
Goddamn, y’all are made for each other. Would’ve never thought
of that.
DANNY
Thanks, man. Come on.
A shovel blade hits the hardwood floor.
Three more blades hit the wood. All four hit until the wood cracks, then
breaks. Sound of wood shards being thrown aside.
DANNY
See? The ground is under here.
SHAYLA
Good. Let’s do this.
Shovel blades dig into the dirt. The
four grunt as they dig. Sound of dirt splattering on hardwood. Hooves in the
distance outside the wall.
DANNY
Faster!
MALIK
We can try.
Digging and dirt throwing sounds speed
up. Hooves get closer. Until hooves hit the wall outside. The four scream.
MALIK
How the hell’d the horse die?
JENESSA
I don’t wanna know. Do you think he can get in?
DANNY
I don’t know . . . but Finnery can. Keep digging!
Digging continues. The horse hooves move
back and forth. The horse gruffs and neighs. Boot footsteps on wood in the
distance.
DANNY
Dammit. Let’s block the door!
Two shovels drop. Two bare footsteps
run. The door closes. Sound of dresser dragging across hardwood. Boot footsteps
on the other side of the door. A body rams the door. Dresser rattles.
MALIK
Go dig. I’ll hold it down here.
Bare footsteps run across the hardwood
as the banging against the door continues. Three shovels continue to dig. The
horse hooves hit the outer wall again. A gunshot cracks the air. The horse
cries out. The hooves race off into the distance.
DANNY
What was that?
SHAYLA
Who cares? Keep digging!
Digging and banging continue. Shovel
blade hits bone. Digging stops.
JENESSA
Good enough! Pour the gas!
Gas can top pops open. Gasoline pours
onto dirt and bones.
DANNY
Wait! Don’t pour it all.
SHAYLA
Why not?
DANNY
Just a hunch.
Ominous noise, then hard footsteps on the hardwood floor.
MALIK
Look out! It's Everton!
SHAYLA and JENESSA scream. Bare footsteps run across the
hardwood. DANNY hollers, body hits the wall.
JENESSA
Danny!
DANNY
(strained) Light the bones!
SHAYLA
Malik, throw the matchbox!
MALIK
Here!
Sound of hands catching matchbox. Match
snaps off, then a match head against the striking surface of the matchbox.
DANNY chokes. A shot rings out in the hallway. Banging against the door stops.
DANNY gasps, freed.
OLD MAN
Open this door, quick!
Sound of dresser being pushed away. Door
opens. Hard footsteps, then another gunshot. Ominous sound rises and
disappears.
OLD MAN
Rock salt. Keeps them away for a second. Light that gas up.
Match strikes against the box. Sound of
the match lighting. Ominous sound returns.
JENESSA
Now, Shay!
SHAYLA yelps. Fire flares. MR. EVERTON
screams as more fire flares, then disappears. The four pant with relief. Fast
boot footsteps. The four gasp. Another gunshot.
OLD MAN
Where are his bones?
MALIK
I have questions!
SHAYLA
(rushed) Babe, he’s a ghost hunter. That’s all we need to know.
DANNY
We don’t know, sir.
JENESSA
They might.
Ethereal music plays again.
MALIK
Why are they lined up like—
DANNY
They’re pointing! Let’s go. Grab the shovels and the gas.
Footsteps run across hardwood, the porch
wood and gravel. Horse whinnies in the distance.
OLD MAN
It’s harmless now. Follow the ghosts.
JENESSA
Never thought I’d hear that sentence.
Footsteps through the woods. Whip cracks
in the distance. The four scream. OLD MAN cocks his gun.
OLD MAN
Sounds like he’s back at the cabin. I’m keeping an eye out.
Ethereal music continues. Footsteps
continue. They stop. JENESSA gasps.
JENESSA
This is the cabin we saw earlier.
SHAYLA
Didn’t you say you saw a shoe?
JENESSA
Oh my God. What if it was his?
MALIK
He won’t miss it. Dig.
Sounds of digging resume. Whip cracks
closer in the distance. Ethereal music gets louder.
OLD MAN
They’re blocking him. Keep going.
Digging continues until shovel blades
hit bone. Gasoline is poured. A match is struck. Heavy footsteps get close as fire
flares. More fire flares then disappears. Ethereal music calms down.
JAMES
You freed us.
SARAH
We can never repay you. Thank you.
DANNY
You’re welcome. Rest in peace.
Ethereal music lifts away and fades.
JENESSA
(shocked) We did it.
DANNY
Yeah. (beat, then to OLD MAN) Thank you.
OLD MAN
All part of my job. Been waiting for one of their kin to show up
and break the curse. Good on you. Take care.
Footsteps fade away through the woods.
DANNY
Wait. What about the cabin?
OLD MAN
(yelling from afar) I’ll clean it up in the morning. Go on your
way.
MALIK
Sounds good to me. Let’s go.
Footsteps walk through the woods.
DANNY
Guys, I’m sorry this trip turned . . . demonic.
JENESSA
Babe, you didn’t know. It’s okay.
SHAYLA
Yeah, what matters is we’re alive.
MALIK
Yeah, we can finish the trip somewhere safe and with a lot of
people around.
JENESSA
Should we get our things?
SHAYLA
Yeah, I guess. Let’s just turn on every single light there is.
MALIK
Bet.
Two footsteps move ahead while two slow.
MALIK
(whispering) So change of plans?
DANNY
(whispering) After tonight? Nah, just changing the location.
MALIK
(whispering) Great.
Footsteps fade.
END
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